More Queen of Night

For a version with subtitles (It isn't as well performed as the last two.)

And here's a "rock" version of the same in which the Soprano opts for some odd stylings on the second run (is it a cadenza?).  What is interesting about this performance is that the soprano opts to make the end of the upper range flute stylings legato rather than staccato.  While a legitimate choice for introducing variations, it seems something of a cheat because it seems so much easier vocally. But then, I don't sing in that range, so it is possible that both choices present somewhat different challenges.

Heard enough about Mozart yet?  Sorry--just one of my odd enthusiasms.

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