Not first upon the Cross God let Himself be slain,
For see! He lieth dead there at the feet of Cain.
Goodness this is a powerful reminder and brings forward what it means to be in the image and likeness of God. When we lay violent hands on any person, we lay violent hands on God himself--Matthew 25:40:
"And the King shall answer and say unto them, Verily I say unto you, Inasmuch as ye have done it unto one of the least of these my brethren, ye have done it unto me."
What dim, flickering, ageless age
you speak to us--an ageless age
that changes in the mind of
the one who sees it. How many
worked for how long to make
these columns and friezes to tell
us what story? How much shadowed
labor in what heat and weather?
How many working here and how
many others to support the work
It beggars the imagination
to think--no outlets, no switches
nothing but the muscled labor of men
and women and beasts. No eight-hour
day and then off to be with family, no unions, no protection from elements
or random anger. And yet all done
all to glorify a silent goddess--joy and
a mother's abiding love.
have I now to what this meant to you
when it was new--when ground was
cleared and tamped and set for
the work of long years, when bright
blue skies and sun washed days pounded
harder than the hard hours of long toil.
This is the problem with today, we look to the future and the past, we're taught to do it from the time we can think, and here we look to both ways-- To the future that we are building memories (the past) for, with not so much as a sidelong glance to the fact that when we live Romantic nows the past and the future take care of themselves.
Instead of focusing on the outer cosmos, Socrates focused primarily on human beings and their cosmos within, utilizing his method to open up new realms of self-knowledge while at the same time exposing a great deal of error, superstition, and dogmatic nonsense. The Spanish-born American philosopher and poet George Santayana said that Socrates knew that “the foreground of human life is necessarily moral and practical” and that “it is so even so for artists”—and even for scientists, try as some might to divorce their work from these dimensions of human existence.
"From the moment of inception
a poem must be driven
by the meaning you would give to it"
"Oh Tom, not this again, please--
look at the ocean, the sun just reflecting,
the pelican raising his head to swallow a fish."
"That's it! That's it exactly!
The three persons of the trinity--
the Holy Ghost present to all equally,
the Father Ocean in whom we live and move
and have our being and most of all
the Pelican Christ, who moves
on the surface of the Father and engulfs
sinners to their salvation. "
"Eh," I say, "can't the ocean be the ocean
and the waves just waves? Can't sand
be sand no matter how we sculpt it?"
"Poetry isn't for the faint of heart
or the weak of will, its for men of stout
heart and strong mind who know what they mean
and say it with full force of their words."
"Why can't poetry just be beautiful. . ."
"It must be beautiful but not just,
it must persuade and convince by its…
I just read this poem and fell in love with it. A picture rather than a typescript because you have to see it for it to mean.
I first read it in a Keillor collection where all design was removed and it still entranced me, but now even more properly arrayed. As set in Keillor's book, the poem is rather like pâté de foie gras, sans pâté, pas de gras.
Lawrence Ferlinghetti, Central Park West.
And when you write, write.
one word in front of another
your meaning, your meaning
their meaning, their meaning
expanding the boundary
to bursting, and who cares?
Because now it is one word one word one word
I truly love
your energy efficient
high green grass-covered
hut with fake fireplace
and long bench with chairs
heavy as thrones for
overlooking the lake
some people made to build
things on while watching
the tethered balloon reel
in and out like some giant
fishing rod pulling people
out of the cerulean
Even more I love
the people who try
to please with smooth
and carefully trained
efficiency who have
to deal with idiots like
me who refuse to conform
to your tone-y café
lingo and who instead
ask for the biggest
or the next size down
or the smallest.
But truth to tell
I'd rather go to
the local sinkhole
to find something
Despite your colorful
insipidly controversial cups.
Can you imagine!
He was looking
for a sphere with one
handle and all he could
find was his hidden wife's
Japanese Tea ceremony set
minus the pot--
cups so delicate and thin
you could breathe through them.
note: while this may seem to be needlessly obscure it helps to know that a sphere with one handle (or even with a hole in it) is topologically identical to a coffee cup. More or less.
that the poet
is writing about some-
thing, not just playing with
words, note I said "just playing"
because all poets play with
words just like your toddler
plays with food, folds it
up, mashes it down,
stirs it up
I'm back after long absence and have a question for anyone who pays attention (there are only a few). It used to be fairly easy to follow a blog. Now I seem to have to cut and past the URL of the blog I wish to follow into the edit area of a reading list to be able to follow. Is there an easier way?
Oh you splendid light that shines from within all things,
do not hide from us who look,
perhaps only time to time.
It is true we spend more time
looking at our own feet,
listening to the dog or cat fight,
running away and laughing
like children who have just lit a paper bag on your porch.
it is good for us that you are a song,
the sun in the morning,
a rainbow, a pair of Sandhill cranes and their young,
the scent of jasmine, magnolia, vanilla, the ocean.
In all things and being all things,
you fly to us at the slightest nod
at the smallest gesture
you invite us to feast.
And even when
we pay no attention,
You shine out
of all things
and sing the song of longing presence.