Stolen Meme

From A Guy's Moleskine notebook--this "life in titles" meme

(keep in mind, this refers to titles only, not necessarily to content)

In school I was: The Man Who Knew Too Much (G. K. Chesterton)

People might be surprised I’m: The Man Who Walked Through Time (Colin Fletcher)

I will never be: Who's Afraid of Virginia Wolfe (Edward Albee)

My fantasy job is: The Reader (Bernhard Schlink)

At the end of a long day I need: The Nightlife of the Gods (Thorne Smith)

I hate it when: Waiting for Godot (Samuel Beckett)

Wish I had: Peace (Gene Wolfe) or, perhaps Sanctuary (William Faulkner)

My family reunions are: One Day in the Life of Ivan Denisovich (Alexandr Solzhenitsen)

At a party you’d find me with: The Demolished Man (Alfred Bester)

I’ve never been to: The Green Hills of Africa (Ernest Hemingway)

A happy day includes: Dandelion Wine (Ray Bradbury)

Motto I live by: "Much Ado About Nothing" (William Shakespeare)

On my bucket list: The Anatomy of Melancholy (Robert Burton)

In my next life, I want to be: Miles Gloriosus (Plautus) (not really, but he makes for glorious bombast for sheer hubris--Siddhartha (Herman Hesse))  Most realistically--The Silver Surfer (Stan Lee)


Right now I'm: At the Mountains of Madness (H. P. Lovecraft)

Comments

Post a Comment

Popular posts from this blog

Another Queen of Night

I post this because whenever I recommend to anyone the Queen of Night, I always recommend it in the Lucia Popp rendition.  It's a matter of personal taste, but what I love about this is that it is somewhat slower than the other versions and as a result, it would seem to me somewhat more difficult to perform and sustain--those high notes in which the Queen's voice becomes the Magic Flute itself are rounded, full, and deep while remaining light and airy. I have read some rather severe criticism of this ritardando; and while it may or may not reflect Mozart's intent, it is certainly within the options for staging.  It creates a real vocal showpiece from what is already a magnificent example of same. It really is an amazing example of a virtuoso composition sung by a virtuoso voice.  All of which should not be taken to mean that I do not truly appreciate the version posted earlier by Diana Damrau, it's just nice to see what a difference tempo can make. I think we can take
Read more

Angel Time--Anne Rice

Review copy received 11/04/09 From the time of its announcement, I had been looking forward to this new book by Anne Rice.  As I say in every review, I am not a die-hard Anne Rice fan.  I found Interview with a Vampire interesting and intriguing, but in hindsight, must lay much of the responsibility of the current vampire as victim and love-object obsession at its feet.  After that, I had no patience with her writing until Christ the Lord: Out of Egypt. In that book I observed a kind of control and authorial voice that I had not seen in any of the books I had sampled since Interview .  So too with Christ the Lord: The Road to Cana. Perhaps because of the subject matter, perhaps for other reasons, these two books seemed to witness a level of control of language and story that the other books did not.  Gone were messy florid passages that lavished two, three, four paragraphs on the description of the lace and flounce of a jabot.  These new books were spare, polished, poetic. The
Read more