Because it was short, and because I was casting about for something else during the time, and because I had it to hand, and because I was curious about the story, and because I was curious about whether I was missing something in Ms. Proulx's writing, and because it was Saturday, and because it was after midnight, and, well, just because. The story, made famous by the film, is a spare portrait of two men who discover and repress their little-more-than-lust-and-a-lot-less-than-love for one another. This is not a criticism of the theme--nor is it actually a criticism of the writing which is spare to the point of vanishing. I'm not certain it is a criticism of anything about it--simply the story line. The arc follows a trajectory of first encounter, separation, and final separation. I suppose I wanted to be affected more--but Proulx's talent in writing is keeping you at so great a distance that you can either use the pythagorean theorem or other more algorithmic measu...