How we feel Is an illusion we choose
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Another Queen of Night
I post this because whenever I recommend to anyone the Queen of Night, I always recommend it in the Lucia Popp rendition. It's a matter of personal taste, but what I love about this is that it is somewhat slower than the other versions and as a result, it would seem to me somewhat more difficult to perform and sustain--those high notes in which the Queen's voice becomes the Magic Flute itself are rounded, full, and deep while remaining light and airy. I have read some rather severe criticism of this ritardando; and while it may or may not reflect Mozart's intent, it is certainly within the options for staging. It creates a real vocal showpiece from what is already a magnificent example of same. It really is an amazing example of a virtuoso composition sung by a virtuoso voice. All of which should not be taken to mean that I do not truly appreciate the version posted earlier by Diana Damrau, it's just nice to see what a difference tempo can make. I think we can take
Steven,
ReplyDeleteThanks for posting the link. It's really helpful. This is one of my favorite Eliot poems and a favorite overall actually. I will bookmark the address.
Thanks again.
Dear Fred,
ReplyDeleteThank you--I'm glad you found it helpful, I thought it interesting as well--hence the post.
shalom,
Steven